Urban exploration in Cabanyal

During the few years I spent in Valencia, I was quickly convinced that urban art had an atypical place there, especially in a district: the Cabanyal. But then, how does street art really echo the urban planning and daily life of the neighbourhood?

An endangered heritage

Testimonies of this former fishermen’s district are still visible to this day and its narrow streets covered by coloured mosaics facades (azulejos), invite us to get lost and to discover the artworks hidden there.

Classified as a National Heritage site in 1993, the Town Council decided in 1997 to establish a renovation project, providing for improvements and partial destruction to open the city to the coast. Nevertheless, the exceptional mobilization of the inhabitants for the protection of the heritage, supported by the associative platform Salvem El Cabanyalprevented the project from being completed. Refusing to abandon the project, the municipal authorities have turned away from their maintenance mission of the area.

During my last stay, I had a rather revealing meeting of the commitment and proximity that the residents have with their neighborhood. Straight out of Bodega Gomez, an emblematic bar that has been going on for about 30 years, a man spontaneously crossed the street to meet me and tell me the story of the neighborhood. During the discussion, he addressed the issues of the strategies of the former Town Hall: the progressive purchase of buildings from private owners, with with the ultimate aim of destroying them and pursuing its first urban planning policy.

A cultural wasteland

With few political and material resources, culture has been one of the main levers for mobilizing and promoting local heritage, with the organization of street performance festivals for example. Instinctively, street art became part of this artistic dynamic.  

Cabanyal district

The presence of many ruins has also contributed to the development of street art. Abandonned warehouses have become the preferred terrain for graffiti artists, enhancing their appearance and testifying these years of tension. On these scratched and tagged pieces of wall, the most observant will spot patterns from old mosaics, the last remnants of these sacrificed houses.

Pieces of mosaics on a abandoned building in the Cabanyal
Mural by Lula Goce (2017) on a abandoned building Calle Escalante, and pieces of mosaics
Poliniza Dos festival – Cabanyal

We can easily be charmed by both the heritage and urban landscapes of the Cabanyal, to the point of appreciating the tragic destiny and sight it has to offer. Through the essential relationship between walls and graffiti, street art is displayed in authentic forms and in harmony with the soul of the neighbourhood: damaged, certainly, but striking.

Towards an institutionalisation of urban art

Illegal and institutional works rub shoulders, as new street art projects are emerging and multiplying, in response to the undeniable potential of the neighbourhood. The new Council in place also seems to acknowledge it: in 2017, an exceptional project has combined street art with these ruins: pending a new renovation plan (currently in progress), the district is adorned with exceptional murals thanks to Poliniza Dos festival. Two of them really made an impression on me:

Bosoletti’s mural, which is one of my favourite artworks in Valencia. His technique manipulates our perception like a negative: colours can be inverted and the pattern revealed on camera by the negative mode.

Bosoletti mural (2017)
Poliniza Dos festival – Cabanyal

And Hyuro’s, which particularly resonates with the history of the Cabanyal since he symbolically painted it on the first house aimed to be destroyed at the time, by the renovation project.

Hyuro mural (2017)
Poliniza Dos festival – Cabanyal

In this same craze, the VLC Urban Art Festival – Barris en moviment inaugurated, last September, the frescoes of the Italians Ericailcane or Dado Ferri. In October, the festival conFusión invited the artist Creto to create a moving work of art on one of the wastelands of the Cabanyal.

A district in full mutation

Right now, I feel like the neighborhood is about to metamorphose at breakneck speed. New official rehabilitation measures have recently been approved and it is difficult to imagine what the future holds. Tourism and new businesses are gradually taking over the area to give it a different dynamic, especially as the beach is very close by. What is certain is that the relationship that urban art has with the Cabanyal seems to be set to last… and we will be attentive to their transformation!

I hope this article will inspire you to explore this area that fascinates me so much, and to perceive the value of street art in the context of the Cabanyal 🙂.

For our readers who don’t know (or badly) the Cabanyal district, we offer you a small, non-exhaustive summary of its identity and heritage, here we go!

Some links to browse :

Salvem El Cabanyal

El graffiti en el Cabanyal, altavoz de la reivindicación ciudadana

València extended Blasco Ibáñez Avenue with its large street art murals.

Salvem El Cabanyal despides itself of 21 años de resistencia ciudadana

Valencia compró casas en el Cabanyal para su derribo por 1,6 millones de euros

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